Filmmaking

When you are working with others on a film project some paperwork might needs to be done. Whether it is the release form for the actors or the non-disclosure agreement. To write these papers can be very time consuming. Also the legal awareness that needs these documents require can be difficult. Mike Chalmers from www.ProFilmDocs.com […]

This is a production summary of our documentary FORMAT FRANKFURT. In late summer 2010 we moved with our company from a small town to Frankfurt. We only knew the hot spots but not the places where the locals would go. We also didn’t know any people living in the city, so first Frankfurt felt very

When shooting a timelapse you never know how it will look like once it’s finished. A few hundred photographs have to be edited and put into one sequence to be able to see the result. Sometimes timelapses turn into more than you expected and sometimes a shot can be ruined by a few rain drops

Back in Januar 2016 we released our second timelapse film called FRANKFURT MOVING II. The film is a mix of classic timelapse shots and more dynamic hyperlapse sequences. We shot the film with a DSLR but not in video mode but in photo mode with an intervalometer to be able to use a higher resolution

These are exciting times for everyone who wants to make films: You can learn pretty much everything online from how to write a script to how to color correct and export the final film. There are a lot of great and especially professional websites I visit every day. They are in no specific order so

While we were testing the Panasonic GH4 we filmed at a street festival in Frankfurt called “Bahnhofsviertelnacht”. The festival takes place in the famous redlight district that has become a melting pot of different cultures and artists. Since it takes place in the evening it was the ideal test for us to see how well

The Sony Alpha 7S II is not only impressive when looking at the specs but also performs great on real life productions. If you’re not too crazy about Ultra HD yet or just don’t finish your projects in that high resolution you might want to take a look at the 120 frames per second recording

In November 2014 we shot a little portrait film of Frankfurt’s famous wood carver Johannes Grosse. Local news site FNP.de wanted us to create a cinematic piece that’s different compared to traditional news videos. We already interviewed Johannes a few years ago for our documentary Format Frankfurt but the interview was focused on another topic,

Finding the right and wanted look for your film can be tough sometimes. Partly it’s about having the skills to color correct and grade the footage but it’s also about having an idea how the film should look like so it’s not something random that might look cool but goes into another direction than you

Color grading has become a normal part of many filmmakers’ workflow in the last few years. Getting the image right in-camera is important but if something doesn’t turn out exactly as you wanted it – you can fix it in post. Most people know that process from photography when shooting raw. Things like white balance