Fenchel & Janisch
Filmmaking blog
Atomos Shinobi – 4K HDR Monitor – First Impressions Review
Atomos latest product is not a recorder but simply a monitor. Find out more in our video below! Mit dem Laden des Videos akzeptieren Sie die Datenschutzerklärung von YouTube.Mehr erfahren Video laden YouTube immer entsperren The Shinobi’s 1000nit HDR display
Magic camera gimbal? Feiyu AK4000 review
The Feiyu Tech AK4000 is a 3-axis hand-held gimbal designed for DSLRs and mirrorless cameras with a payload of up to 4kg. You can watch our video review below: Mit dem Laden des Videos akzeptieren Sie die Datenschutzerklärung von YouTube.Mehr
Moza Air 2 review: A gimbal that gets the job done!
The Moza Air 2 is a hand-held camera stabilizer designed for mirrorless cameras, DSLRs and cinema cameras with a payload of up to 4.2kg. You can watch our video review below! Mit dem Laden des Videos akzeptieren Sie die Datenschutzerklärung
Cinematic video shot with the Google Pixel 3 in 4K
We recently got our hands on a new Pixel 3 smartphone from Google for a few hours and decided to take some video samples with it. You can watch the Ultra HD (3840×2160) footage below. Mit dem Laden des Videos
We made a Flow Motion timelapse film for a hotel
We finally made a new timelapse film for a local hotel. You can watch the Flow Motion video below in 4K: Mit dem Laden des Videos akzeptieren Sie die Datenschutzerklärung von YouTube.Mehr erfahren Video laden YouTube immer entsperren Earlier this
Too many cameras! Photokina 2018
The first time I went to Photokina was in 2012 when the DSLR revolution was at its peak. Two years later the Samsung NX1, the Canon EOS 7D Mark II and the Panasonic LX100 were the big stars. In 2016
How we plan and organize new film projects
Planning a film project can be quite tricky because a lot of variables need to be considered: From finding the right locations that suite different moods, scheduling actors, crew and making sure things still work out even if something suddenly
Aputure’s COB 120D II video light is finally here!
When we were at NAB in April 2018 we already had a glimpse at the new 120D Mark II light from Aputure. While the original 120D had a few quirks the guys at Aputure decided to re-design the light to
Canon EOS C200 – color graded 4K 50p footage
You don’t have to like Canon DSLRs for shooting video but one thing is for sure, the company makes some of the best cinema cameras out there. A few years ago I tested the EOS C100 which I immediately liked
Testing the Nikon D850’s 4K video mode
It’s been a few years since we’ve tested a Nikon DSLR but when the D850 was released it immediately caught my eye. Finally we got a unit for testing and so far it’s as good as everyone says. We will
Too many gimbals
In 2017 we’ve tested a lot of gimbals. Most of them are good products. They do what they are supposed to, stabilize shaky motion which is something a lot of filmmakers have dreamed about for years. Back in summer 2016
Three lenses we bring to every shoot
Since we started using the Fujifilm X-T2 in summer 2017 for our commercial work and YouTube content a lot of people asked us which native Fujinon lenses we use. While we use a variety of glass we have three lenses